Ed Norton, Edward Furlong
Dir. Tony Kaye
Thoughts: This is the first time I've seen this film. With that said, I don't know how to feel about it.
Norton does a fantastic job with Derek Vinyard, for starters. Easily my favorite part of the film was his scene at the dinner table. It has a nice gradual build, with the one-sided argument as Derek takes over the conversation and lets the audience know a bit more about his extreme disliking for those that aren't white Protestants. Then, after the climactic blow-up and frantic action, we're given perhaps the most important shot of the film: Derek, standing in the main hallway, looking at his mother. In this moment, we see both sides of Derek: on the outside, there is the hard, ruthless man who is impossible to reach or talk to; but in his eyes, we see someone who feels much more than he lets on, someone who still has a soul. In this moment, we believe the new Derek, the transformed person.
I'm having a hard time grasping the rest of the film. Certainly it brings up the point that insensible hatred leads to consequential decisions, that which cannot be erased. It does a good job of getting this point across without beating you over the head with preachy talk of how 'we all need to love each other, man!' But, for some reason, I can't get a hold of what this film is really saying to me. Maybe I need to watch it again, to go through the film and pay attention to the themes and motifs a little more.
I do like this film, especially for Norton's performance. I think I need another viewing or two to really let it sink in and see what the film is saying to me.